![]() ![]() before a decade-spanning crowd of tens of thousands of people. The sun had begun its tauntingly slow descent below the treeline by the time Greta Van Fleet took the Lady Bird Stage at 6:30 p.m. Still, any band capable of summoning three consecutive circle pits in such oppressive heat deserves the highest marks. The band members appeared to still be finding their sea legs a bit on the massive Honda Stage, which makes sense since it dwarfed the club stages they usually headline. ![]() What started as a tongue-in-cheek boast has evolved into a satisfaction guarantee, and White Reaper delivered the goods with soaring garage-punk anthems like “Judy French” and “The Stack,” as well as material off their slightly poppier and more polished 2019 album, You Deserve Love. White Reaper rose to indie-rock supremacy with their excellent 2017 sophomore album, The World’s Best American Band. A searing cover of Nirvana’s “Aneurysm” primed the audience for frontman Tony Esposito’s eventual mosh call, and keyboardist Ryan Hater maximized his downtime by powering through an aerobic routine that included jumping jacks and herkies. as the temperature crept into the 90s, but the quintet made the most of its lot, ripping through a breathless power hour full of Thin Lizzy-style guitar harmonies and fist-pumping choruses. The sunbathed Honda Stage was the least enviable place in the world to be at 2:30 p.m. The first of those three Sunday performances came from Louisville, Kentucky’s White Reaper, who combine Camaro-rock histrionics, sugary power-pop melodies and the irreverent humor of DIY punk. ![]()
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